He treats these bits of debris with real gravitas, as totemic icons swaddled in densely romantic production, typifying the overall sense of bittersweet sadness in which the album is cloaked. On his great mixtape, he sprinkled them around like seasoning, employed as transitions and bumpers, a theme that gets continued here, contrasting cassette-tape clunkiness with luxurious Clams Casino-inspired reverb traps. It’s comforting, then, to sink into Channel Orange and witness Ocean’s modest version of an upgrade: The intro sound effects on Nostalgia, Ultra were titled “Street Fighter,” and the ones featured here on opener “Start” are similar but a little more upscale, the recognizable tinkle that accompanied booting up a Sony PlayStation.Īs he proved on Nostalgia, Ultra, Ocean is tremendously adept at handling these little scraps of pop-culture detritus, understanding the weird power they possess.
#FRANK OCEAN CHANNEL ORANGE ZIP GOOGLE DRIVE PROFESSIONAL#
Now he’s guesting on Jay-Z tracks, writing songs for Beyoncé, and releasing his own expensive-sounding debut, the first material he’s recorded with professional producers.
Frank Ocean, signed by Def Jam but ignored by the label, saw his career languish until 2011, when he made the smart decision to release his own mixtape, a choice that, paired with his fringe membership in the ascending Odd Future crew, has placed him on the brink of superstardom.
0 kommentar(er)
